Ramsey, T. Rosen, B. Tursi, J. Songwriter s : C. Underwood, D. Garcia, J. Producer s : D. Garcia, C. Love You Too Late. Swindell, M. Carter, B. Producer s : M. Good Vibes. Janson, Z. Crowell, A. Producer s : Z. Crowell, C. Every Little Thing. Dickerson, P. Welling, C. Producer s : C. Tip Of My Tongue. Songwriter s : K. Chesney, R. Copperman, E.
Copperman, K. Heartache Medication. Songwriter s : J. Pardi, Bary Dean, N. Pardi, B. Butler, R. Gilbert, R.
Akins, B. Berryhill, J. Remember You Young. Songwriter s : Thomas Rhett, J. Frasure, Thomas Rhett. Songwriter s : S. Ellis, J. Green, R. Hurd, L. The Bones. Morris, J. Robbins, L. Producer s : G. We Were. Songwriter s : E. Church, J. Hyde, R. Huff, K. Songwriter s : T. Lambert, H. Lindsey, L.
McKenna, L. Ballerini, J. Robbins, N. Hell Right. Songwriter s : D. Garcia, B. Tyler, M. Ridin' Roads. Lynch, A. Gorley, Z. Dive Bar. Rossell, B. Kennedy, T. We Back. Warren, B. Warren, T. Hubbard, J. Brown, B. Berryhill, M. McGinn, T. Davis, L. Producer s : P. Make Me Want To. Allen, P. Sikes, J. Bowers, E. Someone I Used To Know.
My Birthday Hits
Songwriter s : Z. Producer s : Andrew Watt. More Hearts Than Mine. Songwriter s : I. Andress, S.
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Ellis, D. Ellis, I. Thought About You. Miller, B. Producer s : B. Gallimore, T. I Wish Grandpas Never Died. Green, L. Bonds, B. Hurd, N. Spicer, L. Huff, A. I Hope. Kale, J. Nite, G. Chasin' You. Moore, M. Wallen, C. Highest ranking debut. Young, R. She opened her own theme park called Dollywood in Pigeon Forge, Tennessee, in The amusement park remains a popular travel destination to this day.
Over the years, Parton has enjoyed many other successful collaborations. The record won a Grammy Parton's sixth for best bluegrass album in Parton was inducted into the Country Music Hall of Fame and won another Grammy the following year for the song "Shine" off the album Little Sparrow. Continuing to write and record, Parton released Backwoods Barbie in She was upset after he aired a segment in which previous spoken recordings were manipulated to make it sound like she made obscene statements. In , Dolly Parton received special recognition for her lifetime contributions to the arts as one of five artists feted at the annual Kennedy Center Honors.
In early , just before the music icon's 72nd birthday, a Sony Music press release revealed that she was still setting records and sweeping up accolades. Along with receiving gold and platinum certification for some of her songs, Parton was to be honored with the Governors' Award at the 32nd Midsouth Regional Emmy Awards. Having already been honored by the Grammys with a Lifetime Achievement Award in , Parton received another tribute during the February awards show, with artists like Katy Perry , Miley Cyrus and Kacey Musgraves joining her on stage to sing a medley of her hits.
After writing so many of her own hits, Parton penned the songs for a new musical based on her earlier hit workplace comedy, 9 to 5. Parton has showed no signs of slowing down. In , she released Better Day , which fared well on the country album charts. They know I like everybody. I want to be accepted myself, and I not only accept, but celebrate, the difference in everyone. The holiday season also saw the airing of the biopic sequel Christmas of Many Colors: Circle of Love. In June , Netflix announced that they would produce a Dolly Parton anthology series, to premiere in Since I came out.
I usually take about eight months to produce a piece as well. I feel the same way. So much of what you write is sociological, a study of the neighborhood. Your being from Philadelphia made me think about W. One of the older guys probably gave it to me. This was known as the first sociological study of black Americans in the country. He was trying to understand why black folks lived the way they lived.
And the social problems he identified — poverty, crime, illiteracy, white discrimination — are the exact same things you talk about years later. That was my life coming up, so it was normal. You said you were on the honor roll? I used to be, until, like, third grade. There was another book I got in prison, about black kids — the fourth grade, things go wrong and grades start to decline. That was my life.
Mine was because I moved to a different neighborhood, rougher than the one I came from. Yeah, but I never believed that. I used to say I was going to be a normal story of the ghetto. Was school easy for you? Pretty easy. Even if I ran the hallways, I would still be fairly good.
Later on, when I really stopped trying, I was put in disciplinary schools. It was like a jail. You get strip-searched before you go in, fingerprinted every day. One day I just climbed over the gate and left. It was a public school organized like a jail? In other words, it was early conditioning for what everybody assumed your future was going to be. When I finally went to jail, I already knew everybody. Everybody I went to school with was in the jail. What were you put in that school for?
Fighting and acting up. I said in one of my raps, I was acting up in school because I thought it was cool, but really I was hurt. What type of motivation do you get if your mom is on drugs? Your self-esteem is automatically just low. Some people have the determination to shoot to the top. I always say anger is an easier emotion to deal with than pain. They hurt, they torn, they scarred. Michelle Alexander. I went to public school. The books were falling apart. They probably still got the same books from when I was in school. I read a lot as a child, mostly because I was grounded all the time.
Then we had a black-studies course in high school, and I became obsessed with black history because it felt like, for the first time, the world made sense. You would see your community and how people lived, and they would tell you we just did not want better. But I could see how hard people worked, and they still could not get ahead. Studying history calmed me.
The most I ever read was in prison. Reading made me process the system. Because I am already a conspiracy theorist. People locked in the basement for 23 hours a day, being beat by the officers. Yes, the 13th. So you were first arrested — for the original charge — at 19? My first arrest was actually going to school. In sixth or seventh grade. I got caught and went to jail for trespassing. My mom had to come get me. Selling crack. When I got back, I had to get back in the street and start really selling weed to get me a lawyer, because everyone who had a public defender got crucified.
My mug shot has my face swollen, both sides of my face beat up. You know how his hand got fractured? Yeah, punching you. He charged me for him punching my face. They said I pointed a gun at them. That always stuck with me. But if you were on probation and began smoking weed? I barely sleep from so much trauma.
Sometimes you just want to smoke and go to sleep. This is your dad right here. My mom was a probation officer. In a place with no public transit, they would drive to work and get violated. That makes no sense. If you gave me three months, that is not lenient. In prison, you were and-1, right? Isolated all but one hour a day? Nobody can. I kept blacking out in the middle of the day — not passing out, but like falling asleep.
Twenty-three and a half hours a day. Come out to take a shower, back to your cell. When did you realize that you had a platform, and that you should use it to advocate for more than yourself? When I saw the support people gave me. He keeps going to jail. I caught one case at the age of I am I have never been back to prison for a crime. Basically all billionaires except me. Robert Kraft saw me in prison, and he was like, How are you still smiling? He was like, If that was me, I would be depressed, mad, angry.
Yeah, but that comes from my environment. So how do you deal with the trauma? I just override it. Rapping is one of my therapies. The saddest thing I can think about is Lil Snupe, an artist I had signed, got killed at 18 by a grown man. That bothered me a lot for two years, but I suppressed it and never really addressed it.
Find Out What The No. 1 Song Was On The Day You Were Born | HuffPost
Then one day, I started realizing that had damaged me, and I thought about it a lot. Do you actually think Reform Alliance can change the system? That will be a big win for a lot of kids who will enter the system and probably would have gotten 10 to Hell, yeah. I got a mean team with me. How many people does it take to write a No.
Aubrey Graham, a. Drake, is the first voice we hear, though his verse will be abruptly cut off. Just wait till it drops. In , the Swiss producer Ozan Yildirim, a.
Oz, was given an email address that supposedly belonged to Travis Scott. Keep sending. Oz got help with a synthesizer sound from his friend Mirsad Dervic, a. M-Dee, an appliance salesman who makes music on his days off. Oz also used a sound from a pack of samples created by the German producing duo Tim and Kevin Gomringer, a. Things telescope from there …. Kid Hood. Big Hawk, who was killed in The beat grinds to a halt with a series of distorted kick drums before moving to its final section. He was producing for local M.
Music crew, of which Young is a member. Young helped Scott in crafting lyrics. Jonah Weiner is a contributing writer for the magazine. His last feature for the magazine was about the director Adam McKay. Tay Keith: Zach Boisjoly. Mirsad Dervic by Ozan Yildirim. I was under pretty deep. I, at least, assumed that Ally would turn into somebody like Brandi Carlile, a songwriter whose singing regularly reaches the stratosphere but who we can tell is grounded and real because she holds a guitar the way, for some of us, a lawyer holds a degree from Yale — and because Thanks, craft-neutral manager!
But these women are grilling that cheese. Why did you do that — do that, do that, do that, do that — to ME? But I watched Ally perform it with my hand to my mouth. This song is confection and sex and feel-copping. Jackson thinks so. As much as I wanted to save this sexy, damaged, doomed man, on this, we disagree. It is a staple of singalongs, the sort of song that gets belted out by groups gathered at marshmallow roasts and swimming pools.
Its recent history is clearer. In November , Pinkfong, a South Korean educational brand, released a hopped-up rendition with an accompanying animated video. It was this clip that inspired the hashtag BabySharkChallenge, instigating a viral craze that has racked up more than two billion YouTube views and spawned unnumbered spinoffs starring everyone from Indonesian farmworkers to Filipino marines to Cardi B to, undoubtedly, your friends, your family, your baby trussed in a shark costume.
Jody Rosen is a contributing writer for the magazine and the author of a forthcoming book about bicycles. The video opens with the Carters dressed in gorgeous suits hers a Peter Pilotto in pink and red; his, sea-foam green Dries Van Noten standing — alone — in front of the Mona Lisa at the Louvre. Whose history belongs in our museums? The video and song meditate on this question. The history of black people has too often been presented as little more than a curiosity. During the 16th century, Africans were exhibited in the Vatican, and in a young Congolese man called Ota Benga was forcibly kept at the Bronx Zoo.
Even now, landmark museums like the Louvre tend to exhibit artwork that depicts Africans and their descendants as household servants and domestic workers. One great complexity regarding the couple is their overt embrace of capitalism. Are they disrupting the status quo or reinforcing it? But just beneath all that spending seethes an abject rage. Love is hard, unflattering work that sometimes requires setting aside ego and reputation. What would a world created entirely by and for black people look like? They are asserting that they belong. Are we even sure that the genre ever happened? Pop punk married punk power chords with the singable hook of a radio hit.
The aesthetic was embarrassing, even in its time — circuses, graveyards, men in eyeliner. Want to fantasize about murdering your ex? For a brief, fun lapse in those dubious years, such thoughts were best expressed in a high, clear whine, interspersed with bouts of indiscriminate screaming. To me, at 14, it was more than visceral, a soundtrack for a time of hormonal disarray. Like most rappers of this latest generation, these influences evolved in a post-streaming world, where albums existed as free-floating tracks, somewhat detached from imposed genre labels.
Rap music turns on its habit-forming beats, and pop punk thrives on earwormish hooks. Accounting for the keen melodrama of both genres, it makes perfect sense that a hybridized form would triumph in this new streaming ecosystem. Juice WRLD is not the first or only artist to work in the emo-rap subgenre.
The troubles of this music scene have been well covered; in brief, they reflect the real perils of our time — gun violence, a crisis of masculinity, dual drug and mental-health epidemics. If the pop-punk songs of decades past were grandiose enough to be written off as camp, then the latest wave of emo-rap seems somehow right-sized for the terrors of our moment. Jamie Lauren Keiles is a writer in Queens working on a novel about smoking. A couple of weeks before she would step onstage to accept the Grammy for Album of the Year, Kacey Musgraves was under the covers in the bedroom at the back of her tour bus, pondering the nature of the universe.
She had a little unexpected time on her hands. A show in Chicago had been canceled, thanks to the polar freeze that had descended over the Midwest, leaving her stuck in the middle of a vast tundra with a buildup of tour adrenaline and nowhere to put it. Later, she would stand in a diaphanous scarlet Valentino dress at the Grammys, giving a speech that could, given her tone and reputation, be read as subtly anti-authoritarian. Not so much. And very responsibly! Enough to be able to get outside of yourself and see a different perspective or point of view. What makes Musgraves such a resonant figure right now, in fact, is the way her response to a dark, anxious moment in human history is to move willfully closer to lightness, to stillness, toward the possibility of a world that comes in more colors than red or blue.